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For simplicity, the term âHTPCâ used here can mean either a PC or a streaming device, like a Roku/Fire TV/etc, except where differences are noted. The term âSound Systemâ can mean an AV Receiver, Amplifier, Soundbar, DAC, Speakers or Headphones. The term âDisplayâ can mean a TV or Projector.
This is a complicated topic due to the sheer number of variations in hardware between HTPCs, Sound Systems and Displays. As such this wiki page is long and detailed. You are urged to read the Audio Formats and Transports sections before you embark on the Setup sections below, so you understand the terms and concepts that will be mentioned later on.
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Audio from an HTPC can be consumed in Analog or Digital form. We will be concerning ourselves mostly with the Digital forms here. Implementations of these forms we call âFormatsâ or âCodecsâ. For simplicity, we will use the term âcodecâ below except where required.
There are many digital forms that audio can take. The two main ones we will be dealing with are:
Support for specific codecs is wide and varied. When researching digital equipment (such as your a AV Receiver, sound bar, and/or TV for passthrough), make sure it supports the codec(s) you want to decode or passthrough over the interfaces you want. If one piece of equipment in the audio workflow doesnât support a codec, you may end up with PCM, or no sound at all when playing that codec. Read spec pages, user manuals, rtings.com reviews, flatpanelshd.com, and/or displayspecifications.com.
Interface support for codecs is also varied because of bandwidth limitations. See the next section on what codecs each interface supports up to. An example of one limitation that can exist is the codecs that can be played over a HDMI ARC connection, which is in wide use on TVs for audio return to a Sound System. Under normal circumstances, HDMI ARC only supports Stereo PCM and Lossy Dolby Digital+ 5.1 Atmos/DTS 5.1.
If you are sending codecs to your sound system as-is (bitstreaming), you do not need audio drivers/software for them on your HTPC. You may though if you are using special features that will decode the audio stream instead, like headphones access or re-encoding an audio stream for gaming.
Some audio tracks will have multiple codec streams in them for compatibility. For instance, you may see an audio track which has both Dolby TrueHD and DD in it, so if TrueHD cannot be played, the lossy DD version will then be tried.
These are the codecs/encoded formats youâre likely to run into:
PCM/LPCM: Lossless. # of channels dependent on interface. Optical/HDMI ARC only supports 2 channels. More than 2 channels can be play over regular HDMI/eARC/Displayport/RCA/3.5mm. Common in PC Gaming audio. Default OS output
AAC/HE-AAC: Lossy, <= 320 Kbps. Up to 48 channels. Almost always cannot be bitstreamed (esp. in 5.1 form) due to current lack of Sound System support. Also applies to FLAC/MP3/WAV.
DD/AC-3: Dolby Digital. Lossy, <= 640 kbps. Up to 5.1 channels. Common in streaming media, physical media. Can be played over Optical/HDMI/HDMI ARC
Dolby Digital Live: Encodes PCM multichannel audio into a lossy 5.1 16-bit/48kHz 640 Kbps DD stream for transport over S/PDIF or ARC. Used in gaming with specific soundcards or modded APO drivers.
DTS Connect / Interactive: DTSâs version of Dolby Digital Live. Encodes into a lossy 5.1 24-bit/48kHz 1.5 Mbps DTS stream.
DTS: Lossy, <= 1.5 Mbps. Up to 5.1 channels. Common in physical media, not streaming media. DD competitor. Can be played over Optical/HDMI/HDMI ARC
DD+/E-AC-3: Dolby Digital Plus. Lossy, <= 6 Mbps (1.7 on Blu-Ray). Up to 15.1 channels. Can be played over full HDMI or HDMI ARC (5.1)/eARC (7.1). Common in streaming media.
Dolby TrueHD: Lossless, <= 18 Mbps. Up to 7.1 channels. Common in physical media, not in streaming media. Can be played over full HDMI (1.3+) or HDMI eARC.
DTS-HD HRA: Lossy, <= 6Mbps. Up to 7.1 channels. DD+ competitor. Can be played over full HDMI or eARC.
DTS-HD MA: Lossless, <= 25.4 Mbps. Up to 7.1 channels. Common in physical media, not in streaming media. TrueHD competitor. Can be played over full HDMI (1.3+) or eARC. DTS lossy included within for over Optical/HDMI ARC.
Dolby Atmos: Metadata around the TrueHD/DD+ codec. Lossless/Lossy indirectly. Up to 24.1.10 channels. Gold standard. Lossless can be played over full HDMI (1.3+) or eARC. Lossy DD+ 5.1 version can be played over HDMI ARC.
DTS:X: Metadata around the DTS-HD MA/DTS codec. Lossless. Up to 24.1.10 channels. Gold standard. Atmos competitor. Lossless can be played over full HDMI (1.3+) or eARC. Lossy DTS core for over Optical/HDMI ARC.
Dolby Atmos/DTS:X > Dolby TrueHD/DTS-HD MA > DD+/DTS-HD HRA > DD/DTS > Stereo
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HDMI 1.3+ (Full): Digital. Bitstreamed: Lossless Dolby TrueHD/DTS-HD MA (Atmos/DTS:X). PCM: 8 channels (1.x), 32 channels (2.x).
HDMI 1.4+ (ARC): Digital. Bitstreamed: Lossy Dolby Digital+ 5.1 Atmos, Lossy DTS 5.1. PCM: 2.0 channels
HDMI 2.1+ (eARC): Digital. Bitstreamed: Lossless Dolby TrueHD/DTS-HD MA (Atmos/DTS:X). PCM: 32 channels
ARC/eARC: A feature of the HDMI spec that allows audio to travel back from a HDMI âsinkâ (TV/Projector) to a HDMI âsourceâ (Sound System). Must be supported on both source/sink sides. eARC can fall-back to ARC, where supported. eARC can support up to TrueHD Atmos/DTS:X/PCM 5.1, ARC up to DD+ 5.1 Atmos/DTS/PCM 2.0. it does NOT apply to most Monitors, nor is it a feature of GPUs.
Displayport (native): Digital. Displayport on both ends. Bitstreamed: None. PCM: 8 channels (1.0-1.3). 32 channels (1.4+)
Displayport (Alternate mode): Digital. Displayport->HDMI cable/adapter. Bitstreamed: HDMI supported. PCM: 8 channels
Optical/TOSLINK/RCA (Orange/Black): Digital. S/PDIF. Lossy Dolby Digital 5.1, Lossy DTS 5.1. PCM: 2.0 channels.
RCA (red/white/etc): Analog: 1 channel/connector. Bitstreamed/PCM: None
3.5mm: Analog: 1-2 channel(s)/connector. Bitstreamed/PCM: None
USB/Bluetooth: Digital. Channels dependent on external sound device connected. Bluetooth is NOT recommended for audio in video content due to inherent latency in the protocol. See audio sync section below.
SCART: Old European standard for AV equiptment audio and video. Analog: 2 channels/Stereo. Accessible from/to HTPC using scart to RCA switch.
See also: Video Software
Players/Utilities
3rd Party
There are many ways to connect your HTPC/media device to your sound system and Display.
This could be with HDMI, DisplayPort, Optical/SPDIF, RCA or 3.5mm or a combination of any of them.
This is a complicated topic given that you probably have at least 3 pieces of hardware (HTPC, Sound System, Display) that have various connection types/capabilities and have to agree on what they will do together. As such, it can get confusing quickly, so read this section carefully and multiple times if you have to. Understanding the previously laid out concepts is also very useful.
Before you try any of the following scenarios, consider what youâre trying to achieve and what your hardware is capable of; What resolutions and refresh rates are you trying to display? What audio codecs are you trying to play? Are you gaming and is VRR (g-sync/freesync) required? What ports are on your sound system and display and what specs are they (HDMI 1.x/2.x, DisplayPort 1.x/2.x, optical, rca), etc.. This information is critical and should be gotten from your device manuals and spec pages on the mfgrâs websites. Armed with those and with the information in the Interfaces and Codecs sections above, you should have a good idea of what your hardware is capable of and a good sense of the optimal scenario for what youâre trying to achieve. If you ask us for help, provide all this information, so we can better help you.
Scenarios are listed as Most Desirable to Least Desirable.
Scenario #1 listed below, with video passthrough through your sound system, is the best scenario. However, if you have an older sound system that doesnât support video passthrough for the features you need, like 4k, HDR or high refresh rates for gaming, then the best scenarios in order are: #2 (earc), #3, #4, #2 (arc/optical).
Consult this section of the Hardware Components Guide for cable/adapter recommendations. Consult this section below for sound system recommendations.
Scenario #1 - The ideal scenario, connecting your HTPC to your sound system and then your sound system to your TV
In this scenario, the sound system gets the audio and video first and then passes the video through to the display, e.g. HTPC (HDMI) -> Sound System (HDMI) in -> Sound System (HDMI) out -> TV (HDMI).
When the sound system supports the required video resolution for passthrough to the display, this scenario is simple and provides the highest compatibility and best audio support.
Where this doesnât work is when the sound system:
Scenario #2 - Your display & sound system have a HDMI (e)ARC or Optical port
This will send audio through your display. This is common for VRR (gsync/freesync) gaming setups and/or where the desired resolution/refresh rate to the display exceeds what the sound system can pass through.
Video supported: Negotiated by HTPC and Display
Audio supported: Stereo PCM, Lossy DD 5.1/DTS 5.1 (ARC) or All (eARC) - Dependent on your displayâs audio pass-through support. See your displayâs manual or rtings.com reviews for what audio codecs are supported and how to configure your display to pass-through/bitstream audio. If your display canât pass-through the codecs you want, see below scenarios. If your display supports eARC but your sound system doesnât, use an eARC extractor between the display and the sound systemâs HDMI input.
Scenario #3 - Your HTPC has/could have multiple display outputs (hdmi/displayport/usb-c display out)
This will give you a primary display for video output and a secondary, extended display for audio-only output. This is common for VRR (gsync/freesync) gaming setups and/or where the resolution/refresh rate to the display exceeds what the sound system can pass through. If a secondary display is not desirable, see Scenario #4.
Video supported: Negotiated by HTPC and Display. DRMed content may not work properly if both display outputs are coming from the same GPU.
Audio supported: All
Scenario #4 - Your HTPC does/does not have multiple display outputs (either hdmi or displayport), you want full audio support, but you donât want to set up a cloned or extended display in windows for separate video/audio
This is an alternative to Scenario #3 where you donât want to deal with multiple displays in windows either out of navigational or visual annoyance due to driving multiple display outputs. It could also be used with a single display output (e.g. APU) where you want full audio support but donât have eARC on your display. If you have only an ARC/eARC port on your sound system (like a cheaper soundbar), use a HDMI Splitter with an eARC output.
You will use an HDMI splitter to split/clone the source signal and send the same signal to both your display and sound system. Note that not all splitters are built the same and can vary dramatically in price, depending on feature set and reliability. See the accessories section.
Video supported: Negotiated by HTPC and Splitter, set by dip switches.
Audio supported: All
NOTES: DRMed content may not work due to old HDCP support on splitters. CEC may not work. HDMI 2.1 splitters are rare and/or expensive. Displayport splitters have a limit of 4K@60Hz on the primary conn. when using audio on the secondary conn.
Scenario #5 - Your HTPC does NOT have multiple display outputs, but does have an Optical/S/PDIF/3.5mm ports
In this scenario you will likely be bitstreaming through Optical, or in the case of 3.5mm jacks, decoding audio on the HTPC
Video supported: Negotiated by HTPC and Display
Audio supported: Stereo PCM, Lossy DD 5.1/DTS 5.1 (optical) or Stereo/Surround analog (3.5mm). Gaming audio setup
Scenario #6 - Your HTPC does NOT have multiple display outputs, does not have an Optical/SPDIF port, and your display does not have a HDMI ARC or Optical port
Video supported: Negotiated by HTPC, Display and HDMI Audio Extractor
Audio supported: HDMI (all), Stereo PCM, Lossy DD 5.1/DTS 5.1 (optical), Stereo PCM (RCA), or Stereo/Surround analog (3.5mm). Gaming audio setup
NOTE: An audio extractor will not DECODE audio codecs, it just passes it through its output connector. If you send such a bitstreamed signal into it and expect audio out of its analog connectors, you will get NO audio; you either have to pass PCM in to get audio out of those connectors, or use an AVR/decoder box behind the HDMI/optical port.
Scenario #7 - Your HTPC does have multiple display outputs (either hdmi or displayport) but your sound system does NOT have a HDMI port
Video supported: Negotiated by HTPC and Display
Audio supported: Stereo PCM, Lossy DD 5.1/DTS 5.1 (optical), Stereo PCM (RCA), or Stereo/Surround analog (3.5mm). Gaming audio setup
NOTE: An audio extractor will not DECODE Dolby/DTS audio, it just passes it through to the optical connector. If you send such a signal in and expect audio out of the RCA/3.5â connectors, you will get NO audio; you either have to pass PCM in to get audio out of those connectors, or use an AVR/decoder box behind the optical port, like this.
There are 2 ways to send audio between your HTPC and your sound system, Decoding and Bitstreaming.
Depending on your use-case you may be using one or both. A use-case where youâd use both is where you want to bitstream Dolby/DTS codecs from a media player(s), but send PCM for games and other non-encoded content (music, youtube, etc..);
You should configure Scenario #1 first and then optionally configure Scenario #2 for bitstreaming Dolby/DTS encoded content in your OS and media players.
Do NOT continue on until you know what codecs your sound system/display and related audio interfaces support (per above research/setup) and which you want to use
Scenario #1: DECODING/CHANNELIZATION
The first scenario is decoding and channelization. This means the media application playing your content sends the audio to your sound system (or your OS does) through Windows DirectSound, converted to the common PCM format you (hopefully) read about above, or analog, if using a 3.5mm/RCA audio interface. The sound system has no knowledge of the codec being played, if there is one.
This scenario would be used for non-encoded PCM audio, like Gaming, streaming services that only support Stereo, and/or when you want to modify the audio in the PC using middleware (upmixing, equalizing, creating fake spatial audio), and/or sound systems where encoded codecs are not supported, like analog audio interfaces.
On a Windows HTPC, this is the DEFAULT scenario, so audio interfaces are limited by their PCM capabilities and Stereo is the default output unless configured.
Start by setting up your Speaker configuration in your OS so it knows how many channels you have.
To do this in Windows: Open Windows Sound control panel (run mmsys.cpl) -> <your_audio_device> -> Configure -> Select your speaker configuration -> Next -> Optionally configure the speakers you have/donât have. Click âTestâ and confirm all channels youâre configuring are being represented properly.
If youâre trying to configure more than Stereo but the options/buttons arenât available or channels arenât being represented, itâs usually because:
If you select a speaker configuration that is more than what your content provides, for instance you choose 5.1 speakers and play a Stereo source, Windows will output the source as 5.1 but with only the Stereo speakers containing audio.
Now you can proceed to setting up specific applications and decoding of media/games.
Setting up Decoding for Media (NOT bitstreaming):
You should configure your media application(s) (if needed), by setting the sound device/audio renderer to âDirectSoundâ or âSystem Defaultâ. âDirectSoundâ sits between the application and the audio driver, controlling the channel layout and audio stream.
In media applications, the most popular ones will have the codecs to decode up to Dolby TrueHD, DTS-HD MA and many others (object metadata overlays like Dolby Atmos/DTS:X can NOT be channelized or meaningfully used by the PC without professional software; you must bitstream those codecs to an AVR or sound processor).
Additionally, you can set channel downmixing/upmixing in your media application, if desired.
You can force Windows apps that donât have sound configurations (like browsers) to decode encoded formats like DD/DTS to PCM by disabling the âAllow applications to take exclusive control of this deviceâ setting in the Properties->Advanced section of your sound device.
After youâve configured your app(s) and windows, play test channel-callout content from the sample audio section below.
There are advanced things you can do by using application middleware and external filters like transcoding audio codecs, decoding obscure codecs and advanced mixing. See the 3rd Party sub-section of the Audio Software section above.
Scenario #2: BITSTREAMING
The second scenario is bitstreaming (pass-through). This means the application playing your content sends the audio to your sound system untouched and allows the sound system to decode it.
This scenario would be used with encoded codecs like Dolby and DTS, on digital audio interfaces like HDMI and Optical (i.e. not 3.5mm/RCA).
If, for example, if youâre trying to play Dolby TrueHD and your sound system CAN decode Dolby TrueHD, you would configure bitstreaming. If you have an AV receiver, it would then say âDolby TrueHDâ on it.
On a Windows HTPC, this is usually done per media application by telling the audio decoder in it which codecs to bitstream. It may also involve setting the sound device in the app to âWASAPI Exclusiveâ. WASAPI allows the application to talk directly to the audio driver.
Follow the application-specific setup instructions for Bitstreaming in the next section
Most players have audio passthrough support built-in, to be set up as per below.
If you need more advanced functionality, you can use filters external to your media player (where supported). See the External sub-section below.
COMMON REQUIREMENTS (Windows):
BROWSERS/STREAMING SERVICES:
MPC-HC:
These steps assume you have the latest version of MPC-HC clsid2
MPC-BE:
These steps assume you have the latest version of MPC-BE
POTPLAYER:
VLC:
PLEX HTPC/PLEX MEDIA PLAYER:
PLEX FOR WINDOWS:
KODI:
EXTERNAL: OPTIONAL: If you need/want an advanced/specialized audio decoder/filter external to your app/player:
Media Player Apps: Up to Dolby TrueHD Atmos, DTS:X
Blu-Ray Media: Required: LPCM <= 7.1, DTS, Dolby Digital <= 5.1. Optional: Dolby Digital+ 6.1-7.1, Dolby TrueHD 1.0-7.1 Atmos, DTS-HD/MA 7.1, DTS:X
Streaming Services: See Wiki:FAQ:What resolution and audio is supported on streaming service X?
Gaming: PCM 5.1/7.1, Dolby Digital Live w/supported sound card or APO, Dolby Atmos w/Dolby Access app
If you are playing audio with a different channel configuration than the number of speakers you have, you will be missing some audio fidelity. For example, you may notice that voices are very quiet if you are playing Surround sound (5.1+) when you have less than 5.1 distinct speakers. This is because voices are in the center channel of surround sound audio, which is not present in sounds systems that are stereo only or lower-quality soundbars.
There are a number of ways to solve this, but there is usually not one silver bullet. You may use one or more of the following methods (such as mixing + DRC + normalize) and depending on your sound system configuration (bitstreaming vs not), capabilities, software used, and even just what sounds best to you.
If you ARE bitstreaming, you wonât be able to change anything in your HTPC. Check if your sound system (AVR, soundbar, etc..) has built into it features like Dynamic Range Compression/Dynamic Volume/EQ, Downmixing and/or the ability to boost certain channel/speaker levels. DRC/Dynamic Volume/EQ is a good place to start.
If youâre NOT bitstreaming and youâre using Windows, make sure the speaker config in Windows sound control panel is configured to match the speaker configuration you have or are mixing down to in #3.
If youâre NOT bitstreaming, Downmix content that doesnât match your speaker configuration. Downmixing will try to mix the extra channels down into your current, supported number of channels. VLC, MPC-BE, Internal/External LAV filters, and ffdshow all have Mixing options for this. Provide it with your speaker configuration and it will mix extra channels down to that config. You can even boost certain channels, like the Voice (center) channel in the mix. This is a good start when you know what channels you want to emphasize.
If youâre NOT bitstreaming, Enable Dynamic Range Compression in your media player/middleware. DRC squashes or flattens your audio based on a ratio so the lows and highs are closer together. MPCâs (and in turn LAVâs) compressor is basic and controlled as a % lowered from 100%. You can start setting it to 50% for moderate compression and see how it sounds for you.
VLCâs compressor gives you more control and you can start by setting it to a RMS/Attack/Release/Threshold/Ratio/Makeup of 0/1.5ms/300ms/-20dB/3.0:1/1dB/15dB. A higher ratio (anything > 8.0:1) will compress more and is akin to a limiter.
MPC-BE has a ffmpeg filter preset called âcompandâ under its Sound Processing section.
Internal/External LAV filters have a DRC option in the Audio Decoder for AC3/E-AC3 formats.
For system-wide, use Equalizer APO with VST-based compressors like MJUC or RoughRider.
You can read more about DRC here and here.
If youâre NOT bitstreaming, Enable Volume Normalization in your media player/middleware. Normalization finds the highest peak and basically raises the rest of the audio up to that level. Normalization can and usually is used in conjunction with DRC above, after the fact. DRC will flatten the audio and then Normalization will make the whole thing louder. Normalization can also allow you to manually boost channel levels (like in ffdshowâs Volume control), before downmixing.
VLCâs volume normalizer can also work the opposite way, as more of a gain reducer; You can start with Buffers of 10 and if you set Max Vol Level to < 1 it will make it quieter; if you set the Level to > 1 it will make it louder.
MPC-BE has Auto Volume Control under its Sound Processing section.
Internal/External LAV filters have a Normalize Matrix option in the Mixing section of the Audio Decoder.
You can read more about Normalization here and here.
If youâre NOT bitstreaming, Use a Equalizer in your media player or system-wide middleware to emphasize or de-emphasize the frequencies in question. VLC, MPC-HC and LAV have basic equalizers. The Equalizer APO middleware will give you more, system-wide control. For better voice emphasis, start by lowering the < 100Hz range and boosting the 1000Hz-4000Hz range.
If youâre using a sound system or TV, check for a volume leveling/boost mode on it. This may be called Auto Volume, Night Mode or Volume Leveling for leveling out frequencies or Clear Voice to boost center channel frequencies on voices.
If youâre playing local content, re-encode the audio stream in the content to your speaker configuration. For example, to fix 5.1 for stereo you might use FFMpegâs dynamic audio normalization with the flag â-af dynaudnormâ to level out the audio, or the downmix flags to downmix the channels, or use eac3to with the flag â-downtoStereoâ or â-downDPLâ. This is more work up front, but if you want the audio consistent across a wide range of media players/clients, which may or may not have audio normalization functionality, this becomes a more feasible option. If you need to change content on a mass scale, look at the Tdarr server software. It can watch a number of folders and then use plugins to re-encode your audio streams based on conditions you specify.
In order to determine what audio codec/channel configuration is supported on devices, the operating system will usually get its information from something called EDID via the display interface (HDMI/DVI/etc..)
If youâre connecting your HTPC directly to a TV first, it will usually detect only the capabilities of the TV, as Stereo per the internal speakers (even if youâre using HDMI ARC/Optical to pass-through to a sound system). Check here that your TV actually supports passing through the audio formats you want over HDMI ARC/eARC/Optical and what to set in your TVâs menu to enable it. If that doesnât work, it is usually solved by exporting the EDID data coming from the TV and then editing the Audio Block portion of it to add the audio formats supported by your sound system (Way #2/#3).
If youâre connecting your HTPC directly to a Surround sound system first and then passing through the video to a TV (i.e. Scenario #1 above), it will sometimes detect the audio capabilities of the TV at the end of the HDMI link and not the capabilities of the Surround sound system. This can sometimes be solved by a setting on your AV Receiver (if applicable). See Way #1 below. If that doesnât work, it is usually solved by exporting the EDID data coming from the TV and then editing the Audio Block portion of it to add the audio formats supported by your sound system (Way #2/#3).
Way #1
Way #2
Way #3
Sometimes when you change inputs or power on/off devices, especially in a certain order, your HTPC can change settings, like reverting your audio configuration from Surround Sound back to Stereo, changing your windows/icon layouts on your display, or disabling sound altogether (especially if your display is off).
This can be because of a feature called Hot Plug Detection on your graphics cable. There are a couple potential solutions to this.
Hardware
You can disable or workaround HPD, either by:
Software
You can try forcing the resolution on display disconnect to keep the video signal detected, either by:
You should read this guide for understanding real-time audio and the things that can affect its playback. For fixes to drop-outs, especially read Chapters 4 and 5.
In addition, the following things may fix and/or help you identify your problem:
If your audio is ahead of the video:
If your audio is behind the video:
Common Solutions
You could be encountering a âfeatureâ that causes a digital audio connection (SPDIF or HDMI) to go to sleep, into a power saving D3 state, when audio stops playing for a period of time. It takes some time for the connection to come back to an active D0 power state, causing the delay. To workaround this use a program to keep the connection active, such as Sound Keeper or SPDIF KA on Windows (or these methods on Linux) which will play inaudible audio over the connection at all times.
You can also reference this post for experiences.
See instructions below for setting this up in your media player software.
KODI:
MPC-HC/BE, POTPLAYER:
VLC:
Tools->Preferences->Show Settings (Simple)->Audio
Output Module: DirectX audio output
Check box for âUse S/PDIF where availableâ
Device: Your Optical/HDMI device
PLEX MEDIA PLAYER/PLEX HTPC:
Settings->Audio
Device Type: HDMI/Optical
Device: <HDMI/Optical Device>
If Device is Optical: Check box for âPassthrough: Dolby Digital (AC3)â. Uncheck box for âPassthrough: DTSâ
If Device is HDMI: Check box for âPassthrough: Dolby Digital (AC3)â. Uncheck boxes for âPassthrough: <everything else>â
SYSTEM-WIDE: If you want to encode all of your system audio into Dolby Digital, either for compatability or for volume-control reasons, see the section below on encoding gaming audio into Dolby Digital Live, which does the same thing, on a lower-level.
NON-REALTIME: Handbrake, ffmpeg-gui, eac3to, tdarr
First, most games output audio in the PCM 5.1 format. Not all audio interfaces and connection schemes support this bandwidth; those that donât will give you 2.0/Stereo instead.
The easiest and best way to connect your components is: PC (HDMI OUT) -> Sound System (HDMI IN) -> TV (HDMI IN/ARC). This will give you PCM 5.1 capability. See Scenario #1 in the Hardware Setup section above for details
If you need G-Sync/Freesync (and not plain VRR) for gaming though, this wonât work, as Sound Systems like AVRs/Soundbars wonât pass through those VRR techs to the TV. In that case, and if you have HDMI eARC support on your Sound System and/or TV, you can connect: PC (HDMI OUT) -> TV (HDMI IN), TV (HDMI eARC) -> Sound System. See Scenario #2 in the Hardware Setup section above for details before moving on.
If neither scenario is viable, you should split up the video and audio paths with Scenario #3 in the Hardware Setup section above.
Finish the basic setup by following the Decoding / Channelization software setup section above, to configure your speakers for Windows, if you havenât already.
If you canât support the above hardware methods, but have plain ARC support or even only Optical, you can use that, but you will only get PCM 2.0/Stereo sound by default. The only way around this to still get 5.1 sound is to encode the game audio with a tech called Dolby Digital Live. To do this, you can either:
Buy an internal/external sound card with Dolby Digital Live encoding support (e.g. Sound Blaster X4/X3/Z SE) and connect it via Optical to your Sound System
For HDMI ARC: Use the APO driver to unofficially install Dolby Digital encoding for over HDMI ARC from your PC. This involves installing the APO driver setup with the âFX Configuratorâ & âDolby DS1â features chosen, running the âFX Configuratorâ app, selecting your HDMI/Optical interface Endpoint, clicking âProduct Config Toolâ, applying the âDolby Digital Plus Home Theater (HDMI/SPDIF)â product, and finally open Windows Control Panel -> Sound -> <your_sound_device> -> Properties -> Advanced tab, and choose Dolby Digital from the Default Format drop-down.
For OPTICAL/SPDIF: For Realtek-based Optical/SPDIF you should probably use the patched drivers to unlock DDL. If it doesnât work for you or you have a non-Realtek audio chip, use the previous HDMI ARC way.
As a last resort, you can output to just analog surround sound speakers connected directly to the PC, if your motherboard supports it.
If you want to, and can, support Dolby Atmos from your games:
You can use a good HDMI 2.0 splitter to send 4k/60hz video to a display and HD audio (TrueHD/DTS:X/etc..) to an old AVR that only supports HDMI 1.3/1.4. Find an old/now-discontinued HD Fury AVR Key or Integral. If not, then the ViewHD or SIIG in the âHDMI 2.0 Splittersâ section below are the best bets. They wonât work with all hardware combinations, and you may have to fiddle with the EDID dip switches quite a bit in the initial setup, but should work.
There are no perfect solutions for 4k/120Hz video without an expensive HDMI 2.1 splitter. Either buy a new AVR and pass-through it or use eARC through your display. If your display supports eARC but your sound system doesnât, use an eARC extractor between the display and sound system.
Yes.
DISPLAYPORT/USB-C
If you have a spare DisplayPort port (either on a dGPU or on your motherboard with a CPU iGPU) you can use a simple, PASSIVE DisplayPort to HDMI cable/adapter to get HD audio (up to TrueHD Atmos/DTS:X) to an HDMI port on a sound system.
If you have a USB-C port (that supports DP Alt Mode video out) you can use a USB-C to HDMI cable/adapter to do the same thing. Your mileage may vary depending on the adapter and source device, so use a recommended adapter/cable.
Keep in mind that any audio passed over HDMI/DisplayPort/USB-C requires a video signal to be active on the connection as well. You canât get audio without video, so you will either have to use an extended or cloned display for it to work, though the resolution required is minimal (720p).
Also keep in mind that if youâre using an ACTIVE DisplayPort/USB-C->HDMI adapter or cable, you CANâT bitstream HD audio over it. The max you can do, depending on the quality of the adapter, is DD+ Atmos, DTS and PCM 7.1 audio.
If you need to bitstream HD audio:
See the Video Cables/Adapters section of the Hardware Components Guide for more recommendations.
ANALOG/OPTICAL
If you decode HD audio on your HTPC and use analog output jacks then technically youâre getting HD audio.
If you decode and re-encode HD audio to a non-HD codec for bandwidth reasons (such as TrueHD->PCM->DD) you can output it over Optical. See gaming audio question above for how to do this.
If your stereo TV or PC speakers are not producing good enough audio for you here are some options for upgrades. Realize weâre not sound experts and youâd do better on a more expert-level sub-reddit. The Audio section of the HTBuyingGuides FAQ is a good place to start before wading into asking questions.
We do have some Sound Bars listed below but please note these are for very specific use cases. Dollar for dollar, a Receiver and Speaker separates will be better. In cases of limited space, we would rather see you use a PASSIVE Speaker Bar with a Receiver, and youâll also see those options below.
If you have a limited budget, but want really nice speakers, consider starting with a 3.1 speaker/sub setup and adding on the surrounds later.
If just using analog/optical/usb connections and donât want/canât use a receiver:
For 2.x:
Active/Powered: Simpler, but less flexible. Get good, analog, powered speakers such as JBL 305P (82Wx2) (pair) & 3.5mm->6.3mm Cable ($270). If you canât afford that, then Micca PB42X (15Wx2)/PreSonus Eris 3.5 (25Wx2) & 3.5mm->RCA Cable ($100-130). For more inputs or for a 2.1 system, get NEUMI BS5P-ARCs ($170) w/an optional Dayton SUB-800 (80W) subwoofer ($135).
Passive/Unpowered: More flexible with amp/speaker choices. You can do a Loxjie A30 amp ($170)+Polk XT15 (30-150Wx2)s ($182). If you canât afford that, then Fosi BT30D ($90)+Dayton Audio B65 (75Wx2) ($70). For a 2.1 system, add on a Dayton SUB-800 (80W) subwoofer ($135).
For 5.1:
Get a Logitech Z906 that supports both analog and optical, with DD/DTS decoding.
If you have limited space and a small budget:
$600 : $250 Sony STR-DH590 receiver, $220 Dayton Audio BS36 3.0 Speaker Bar, $130 Dayton Audio MKSX4/SUB-800 Sub
- HDMI 2.0, 4K HDR, 3.1 channels effective (5.1 expandable), 90W, TrueHD/DTS-HD MA lossless sound, ARC
$450 : Vizio M512a-H6/Samsung HW-Q600C Sound Bar
- HDMI 2.0, 4K HDR, 5.1.2 (Vizio)/3.1.2-5.1.2 (Samsung) channels, Dolby Atmos/DTS:X lossless sound, eARC
If you have limited space and a higher budget:
$1100 : $550 Denon S760H receiver (Low Profile: Marantz NR1xxx), $350 BIC Formula FH56 5.0 Speaker Bar (ALT: Used Mythos SSA-42), $185 Dayton Audio SUB-1000L Sub
- HDMI 2.1, 5.1.2/7.2 channels, 75W, Dolby Atmos/DTS:X lossless sound, eARC
$600 : JBL Bar 9.1 Sound Bar. If you canât find the JBL, then the Vizio P514a-H6 ($800) is a good choice.
- 1 HDMI 2.0 input, 1 HDMI 2.1 output (4k@60Hz), 5.1.4, 4K HDR, Dolby Atmos/DTS:X lossless sound, eARC
If you have unlimited space and a $550/$1000/$2000 budget:
$550: $300 Yamaha RX-V385 receiver, $255 speakers/sub - Dayton Audio (B452x4 FL/FR/SL/SR + C452x1 C) + Polk PSW108 SUB
- HDMI 2.0, 5.1 channels, 70W, TrueHD/DTS-HD MA lossless sound, eARC
$1000: $550 Denon S760H receiver, $500 speakers/sub - Neumi (BS5x4 FL/FR/SL/SR + CS5x1 C) + Dayton Sub-1000
$2000: $550 Denon S760H receiver, $1400 5.1 speakers/sub (L/R/Surr: Kef Q150 (2-pair) $600 + Cen: Kef Q150 $200 + Sub: SVS PB-2000 $600)
- HDMI 2.1, 5.1.2/7.2 channels, 75W, Dolby Atmos/DTS:X lossless sound, eARC
If you have unlimited space and an unlimited budget:
$10000: $1200 Denon AVR-X3700H receiver, $8800 Monitor Audio Silver 300 7G 7.1.2 + W-12 6G Sub
- HDMI 2.1, 11.2 channels (9.2 powered), 105W, Dolby Atmos/DTS:X lossless sound, eARC
HTBuyingGuidesâ Speaker recommendations / AV Receiver recommendations / Subwoofer recommendations
These files must be downloaded for the media player(s) you are testing against. Do NOT play them in your browser.
Dolby Digital 5.1 / 5.1 Channel Call-out
Dolby Digital Plus 5.1 Channel Call-out / 7.1 Channel Call-out
Dolby TrueHD 5.1 / Dolby TrueHD 7.1 / Dolby TrueHD 7.1 Channel Call-out
Dolby Atmos (TrueHD/Lossless): 7.1 trailer / 5.1.2 test tones / 7.1.2 test tones
Dolby Atmos (DD+/Lossy): 5.1.2 trailer / 5.1.2 test tones / 5.1.4 test tones / 7.1.2 test tones / 7.1.4 test tones
DTS 5.1 / 5.1 Channel Call-out
DTS-HD HR 5.1 / DTS-HD HR 7.1 Channel Call-out
DTS-HD MA 5.1 / DTS-HD MA 5.1 Channel Call-out / DTS-HD MA 7.1 / DTS-HD MA 7.1 Channel Call-out
LPCM 5.1, ALTERNATIVE 1, ALTERNATIVE 2 / LPCM 7.1
HE-AAC 5.1 / HE-AAC 7.1 / AAC-LC
Audio Sync Tests: 1080p/H264/60fps/AAC, 1080p/HEVC/23.98fps/PCM, 1080p/HEVC/24fps/PCM, 1080p/HEVC/29.97fps/PCM
HDMI Splitters
Used to clone HDMI video output from GPU to TV, or send HD audio to older sound system where DRM/HDCP not a concern
HDMI 2.0 (4K@60)
ViewHD VHD-UHAE2 - $50 - Audio only port, EDID Options. Start with one of these for basic A/V splitting. ALT: UHD1X2SA
EZcoo w/eARC - $100 - For splitting audio out to ARC/eARC-only sound system.
SIIG 1x2 - $45 - EDID Options
Egreat H10 (eccgeek) - $105-140 - Plug n Play. Hard to find. Pricey depending on vendor.
gofanco Prophecy - $55 - Good price, lots of EDID options. Not as reliable as AVR Key or Plug n Play as Egreat.
Wolfpack 1x2 - $75 - Unknown, but reported compatible with media devices (Shield, etc..)
HDFury AVRKey 18Gbps (ebay) - $160 - Top of the line, but expensive and discontinued.
HDMI 2.1 (4K@120)
Feintech 1x2 (Europe)
HDMI Audio Extractors
Used to extract audio from HDMI between GPU and TV and send it to AVR HDMI input, eARC, Optical or Analog Outputs. Passes Dolby/DTS to optical or HD/LCPM 7.1 to HDMI/analog. Does NOT decode audio codecs
HDMI 2.1 (4k@120)
J-Tech - HDMI+Optical+3.5mm outs - Extracts HD audio to non-eARC AVR
Navceker - HDMI+Optical+3.5mm Stereo - Extracts HD audio to non-eARC AVR
OREI - Optical+3.5mm Stereo - Switch that doubles as an extractor; cheaper than a splitter
HDMI 2.0 (4k@60)
ViewHD VHD-UHAE2 - HDMI outs - Extracts HD audio to AVR via audio only HDMI port, EDID Options
OREI - eARC HDMI + HDMI - Extracts HD audio to AVR or eARC soundbar via HDMI. ALT: optical version
Ezcoo - eARC HDMI + Optical - Extracts HD audio to eARC soundbar via HDMI
Monoprice / J-Tech / OREI - Optical+3.5mm Stereo
HDMI 1.4 (1080p/4k@30)
J-Tech - Optical + RCA Stereo
Monoprice - Optical+3.5mm Surround
Parts Express - Optical+3.5mm Surround
AllAboutAdapters - Optical+RCA Surround
HDMI to Optical/Analog Decoders
Extract audio from HDMI, decode Dolby/DTS/LPCM and send it to Analog Outputs.
J-Tech (Dolby/DTS Decoder) (RCA 2.0+Optical) - HDMI 2.0
Xolorspace DU50 (Dolby/DTS Decoder) (RCA Surround) - HDMI 1.4
eARC -> HDMI Extractors
Extracts audio from displayâs HDMI eARC to transport to regular, non-ARC HDMI input of Sound Systems
Optical to Analog converters (DACs)
Extract audio from Optical, decode Dolby/DTS/LPCM and send it to Analog Outputs.
OREI / Muxlab (Dolby/DTS Decoder) (3.5mm/RCA 2.0)
Southsky DAC (Dolby/DTS Decoder) (RCA Surround)
Xolorspace DU/DJ/DK series (DU53:3.5mm out, DU52/55:RCA out, DJ51/DK58: RCA+3.5)
HDMI Switches/Matrixes
USB to Optical/Analog
Used to send audio from HTPC to Optical/Analog
Cubilux USB->TOSLINK Optical - $20 - DD/DTS Passthrough. Windows/Linux/Nvidia Shield
Startech USB Audio Card - 3.5mm Optical+Mic+Head - $30 - DD/DTS Passthrough
Startech USB Audio Card - TOSLINK Optical+5.1 Analogs+Head - $35 - DD/DTS Passthrough
Creative Sound Blaster X3/X4 - TOSLINK Optical+7.1 Analogs+Line in - $140 - DD/DTS Passthrough, Dolby Digital Live Encoding
Douk Audio U2 USB - TOSLINK Optical+Coax (Nvidia Shield compatible) - $55
PCIe to Optical/Analog
Creative Sound Blaster Z SE/X AE-5 - TOSLINK Optical+Analog, DD/DTS Passthrough, Dolby Digital Live Encoding
Creative Audigy RX - TOSLINK Optical+Analog, DD/DTS Passthrough
HDCP Stripper / HDMI Downscaler
Ezcoo EZ-EX11HAS-PRO - HDMI 2.0, HDCP Strip, 4k->1080p scaler, Optical+3.5mm Stereo extractor, Audio EDIDs
Audio Cables
Optical: Custom lengths/high quality: Blue Jeans. Standard lengths: Bluerigger, KabelDirekt, Monoprice 102765
Analog: Custom lengths/high quality: Blue Jeans. Standard lengths: Worldâs Best Cables, Mediabridge, Monoprice
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This page was last updated on 2024-11-23